I hope that everyone is doing well. I am enjoying pleasant spring, getting my running mojo back, and going to a few shows with friends.
The main noteworthy thing lately is that I saw Madonna in concert for the first time here in Atlanta a few days ago.
Madonna is 65 and she’s had a lot of plastic surgery, but she’s still my girl. There was no way that this 1980s kid was going to pass up a chance to see her live on what might possibly be her last big tour.
I bought my ticket a year and a half ago, $160 on fourth row of nosebleed. I bought it right when the presale started. Five minutes later, I checked Ticketmaster again and saw that the seats behind mine were going for $500. I am glad that I went in before the resellers swooped down.
Contrary to expectations, Madonna is in amazing shape and still sounds incredible on this tour. Her voice was sputtering a time or two, since the tour is almost over, but the performance was 99% marvelous. (The occasional vocal mishap only enhanced the show in my eyes, because I could tell that she was giving her all and not lip-synching or phoning it in.) This concert had the perhaps the best production and visuals of any show that I have ever seen, with a hugely theatrical vibe of dancers, costume changes, shifting stages, elevated stages, lasers, etc.
Madonna has been starting her shows late. She took stage at 10:10 p.m. here in Atlanta and ended the show just after 12:20 in the morning. (I am glad that I teleworked the next day.) There was also no air conditioning in the venue, since Madonna likes the warm air for her vocal cords. Come 10:10, I was a bit irritated by the lateness and the warm temperature, but I forgot all about those things as soon as the show started.
Most people in the nosebleed were seated. When Madonna played my favorite song of hers, “Into the Groove”, early on, I stood up and danced, because…well, there was no way I was going to sit down through that one. The rest of the time, I fell in line and stayed seated.
(Although I am 52 years old, I prefer to stand up all through concerts. It does not feel right to sit down during a show except in circumstances like this.)
I did not fool with any phone photos or any of that. Anyone who is curious can look up the videos of her current tour on YouTube.
"Live to Tell’ was particularly poignant, because Madonna’s stage backdrops paid tribute to AIDS victims. “Like a Prayer” was exceptional, because of the rotating stage with Madonna performing inside glass cages with her dancers. “Ray of Light” was visually incredible.
When it comes to my own music collection, Madonna’s 1983 self-titled debut album is my favorite by a huge margin. It is on a way higher level than anything else that she ever did during the rest of her career. That early dance stuff produced by Jellybean is the best. I also love Like a Virgin and True Blue, but I mostly stopped buying her stuff after that. There was plenty of early material, thankfully… “Everybody”, “Into the Groove”, “Burning Up”, “Open Your Heart”, “Holiday”, “Crazy for You”, “Live to Tell”, “La Isla Bonita.”
Even the later stuff (“Hung Up”, etc.) was spectacular, though.
Madonna talked to the crowd quite a lot, going into detail about her early days, her recent battle with an infection, etc. The show was also divided into different acts, with stages of her life and career covered throughout, since it is the Celebration Tour celebrating 40 years of Madonna. There was a melancholic undercurrent to the whole thing, as though this is probably going to be her last tour, but the atmosphere was mostly joyful.
The show was heavily LGBTIQA+ oriented, with the dancers, the visuals, etc. The vast majority of the audience also seemed to be LGBTIQA+. I loved the vibe of the whole night.
Setlist:
Act I:
Nothing Really Matters
Everybody
Into the Groove
Burning Up
Open Your Heart
Holiday
Act II
Live to Tell
Like a Prayer
Act III
Erotica
Justify My Love
Fever (Eddie Cooley cover)
Hung Up
Act IV
Bad Girl
Vogue
Human Nature
Crazy for You
Act V
Die Another Day
Don’t Tell Me
Mother and Father
La Isla Bonita
Don’t Cry for Me Argentina (Andrew Lloyd Webber cover)
Act VI
Bedtime Story
Ray of Light
Take a Bow
ACT VII
Billie Jean / Like a Virgin
Bitch I’m Madonna
Celebration