zapiekanki, on 07 May 2013 - 07:27 PM, said:
I just noticed on amazon and a couple of other web stores that there'll be a second pressing of the Peter Buck album for sale, the amazon.com note says: "This title will be released on July 16, 2013".
I wonder if there'll be any differences with respect to the first edition, most likely there won't be, it's just a new pressing being offered, I believe the first limited edition was printed in only 2,000 copies if I recall correctly.
This is the product being advertised on amazon.com:
http://www.amazon.co...67981784&sr=8-1
This is the other merchant, who talks specifically of a repress:
http://www.spincds.c...-diary-cd-39077
This is posted on the SpinCDs.com website. And, even though there's no mention of it there, this tagged text showed up when I went to post the link on the R.E.M. Fans United page on FB: "
Peter Buck, You Must Fight to Live On The Planet Of The Apes (Vinyl Limited Ed. 7")" That appears to be a reference to the new single on Mississippi Records that is supposed to be coming out in June.
Quote
First solo LP by none other than former REM guitarist & friend Peter Buck. By popular demand, a repress of Peters debut solo LP. This version is the same as before but the track L.V.M.F has been removed. First solo LP by none other than former REM guitarist Peter Buck. Believe it or not, released on vinyl only by Mississippi Records (No CD or download available anywhere) ...& it gets weirder. This LP was cut pure analogue - straight from tape to disc. A real old fashioned freak out record filled with Stooges like crunchy guitar riffs, strange atmospheric sounds, far out dark lyrics & some catchy pop hooks here & there. Peter & various friends you've probably heard of, gathered at Type Foundry Studio here in Portland & laid out this record fast & furious. A real madcap journey of a record put together with nothing but love & a sense of immediacy.
zapiekanki, on 07 May 2013 - 07:27 PM, said:
Also since it's the first time I post in this thread I'd like to write a few lines about the album, I think I liked the photographs on the back cover, with Lenny Kaye and Mike Mills, definitely the highlight of the album is SOme Kind of Velvet Sunday Morning, it's such a beautiful song with mesmerizing lyrics and vocals, especially those of Annalisa Tornfelt. It's a song that really makes me reflect about the current state of things and it has become a favourite, the other song I like is Hard Old World, I think this track best represents the sound and the concept of the whole album -coincidentally it's a song with Peter's vocals. My only regret and my only complain is that there wasn't a digital album offered for sale, since I'm a neophyte in sound transfer and stuff, the copy I carry in my iPod just sounds awful, I feel as though I'm not really appreciating the true sound of the LP, maybe I should actually sit down to properly listen next to the turntable, but I do regret this, I would have been more than willing to pay for both the LP and the iTunes download.
There was a decision made at some point for it not to be released on CD. I think Buck is well aware that a lot of fans are just going to convert it to mp3 and that some fans are going to rely on that happening, so they never bother to actually buy the album. Mostly, I believe he wants people to listen to it on vinyl, even if it means having to buy a turntable. Jimmy Page released a couple of vinyl only albums (the soundtracks for
Lucifer's Rising and
Death Wish II) via his website last year and I truly believe he's thinking the same way. Page has also been quite vocal about his disdain for mp3's and has said Zeppelin sounds best on vinyl. Still, I know the thought of having to buy a turntable just to listen to music pisses off a lot of fans but I definitely get the message Buck and Page are trying to convey. Maybe some fans will actually do it and learn to appreciate music on a level they were completely unaware of before. If just one fan buys a turntable to listen to any of these records than folks like Buck and Page have accomplished their goal.
"We were listening to the UNC radio (station) there and they were playing an R.E.M. song. I like R.E.M. fine, but at the end of it, the DJ says, 'Ya that was R.E.M., the sound of the new South'. I looked at my roommate and we said, Gawd, if that's the sound of the new South, I preferred it when it was on the skids. That's how we got the name."
- Rick Miller of Southern Culture on the Skids